Last night, I watched a Buffy episode where, a mere 6 years into the program, she reveals that the first time she told her parents about vampires, they freaked out and put her into a mental hospital. Then, conveniently, nobody mentioned it ever again up until the point where Buffy needed to bring it up. It’s an undeniably damaging retcon that puts otherwise good episodes where Buffy’s mother finds out about Buffy, in a new, poorer light.

As much as I love Buffy #13, I’m not exactly thrilled by a similar piece of retconning that goes on in its pages. Did you know, for instance, that during Seasons five, six and seven of Buffy, Xander and Dracula kept in touch by writing letters to one another? What the hell, Goddard?!

Now, that aside, it’s an amusing idea that Xander went to stay with Dracula for a while after Season 7, and it’s never anything but hilarious when Dracula throws around terms like “moor” and “manservant” - as ever, the dialogue in Buffy: Season 8 is as sharp as the TV series ever was, and the heavy focus on Xander in this issue makes for entertaining reading. It’s just a pity they had to retroactively invent a Xander/Dracula friendship to make these scenes work.

The plot of the issue is more straight-up fare - the Japanese vampires that stole Buffy’s scythe and Dracula’s powers have apparently come up with a way to remove slayer-powers, and they’re planning to take the slayer-army down with it. Unlike other villains in the series, this seems like genuinely credible threat to Buffy. While supporting slayers are occasionally reduced to the level of cannon-fodder, Buffy herself is largely untouchable, and even with the knowledge that she’s the star of the show, there’s still some chance that she might lose her powers - stranger things have happened in the Buffyverse, after all.

There are other subplots ging on - Dracula gets an interesting scene showing him dishevelled and dejected fifteen minutes before the climax of last issue, that could imply an interesting story there, but could likewise be left in for no extra reason than for the comedy and a little bit of character-building. It works alone to suggest why Dracula is so welcoming of Xander, or as a clue to a bigger story yet to be told.

Not Season 8’s finest hour, but it couldn’t really hope to be after the Buffy/Satsu bombshell last issue (and yes, that development is followed up.) If nothing else, it’s worth getting for those who are eager to see more of the Buffyverse Dracula.